Over the next several years as I started to write for this then little site, I was able to have the privilege of closely following Joey Youngman, better known as Wolfgang Gartner, and the truly unbelievable music he was to release. Looking back, electronic music owes more than we know to his forward-thinking productions of the early 's. Table of Contents. Most talented artists will see a few high profile releases during a calendar year.
Especially in today's world where blogs are operating at professional levels, and EDM has integrated smoothly into the mainstream conscious. Back in the day though it was quite a bit harder for dance music artists to drop hit after hit and be recognized for them.
At the time we had no idea that Wolfgang was leading up to the release of his debut album, but in hindsight it all makes sense. At the time I had never heard anything like the sounds that were on that track. Dozens of layers, complex arrangements, and even classical instrumentation pretty sure it was a freaking harpsichord were just a few of the pieces that made up a truly jaw-dropping tune.
This was before the Pryda Snare dominated the Electro genre. This was before Complexstro was an accepted style. This was the groundbreaking forefront of musical innovation. And it was only the beginning. Next came the song that would define Wolfgang Gartner for quite some time, and also the track which introduced me to the man himself. Balls and talent. Luckily he had both in spades.
The tune is so raw and shocking that it has stood the test of time. Many of today's electro hits fail to hit the intensity and design found in this tune. Scroll to continue reading. Do I feel lucky? I guess it depends on how you define lucky. I say I consider myself lucky a lot. But luck is usually something that comes your way without any work. The luck of the draw, dumb luck, lucky charms, whatever.
I got to where I am from two decades of work and I feel like there was very little luck involved, if you want to talk about it in dictionary definition terms. All that said I was born on St. WG: Nothing has destroyed quality house music. And the underground lives on. WG: Producing.
I was born to produce music. That was how I got into all this. Then I got obsessed with it and so did all my friends, and all we did in our free time was get together and spin records. In anticipation of his upcoming show at Elektricity on Saturday, April 23 win tickets here , I talked to LA-based DJ and producer Wolfgang Gartner, also known as Joey Youngman, about his past experiences, present projects and future goals in music.
He even touched on why Avicii has retired and how Deadmau5 is still going. The bio on your website makes your work ethic sound pretty intense. Have you always been like that with music, or do you feel like that developed as you got more into it?
That was a time when I was making a particular sound, the sound that was on Weekend in America. I was making more electro house and very complex electro house, some people put this tag called Complextro on it.
Before I started using the name Wolfgang Gartner, in I was making Chicago house, disco house, San Francisco house in the early s, releasing records back then under a lot of different names. By nature, house tends to be more groovy and loop-based with less peaks and valleys, more of a straight line. Like, take disco house elements from the late 90s and make it into bigger venue disco house for the era.
Speaking of, how goes the tour? When it comes to picking and choosing where you want to play, why did you choose Pontiac? I very clearly remember that the crowd was amazing every time, and I immediately said OK.
Have you seen changes in the scene and in the music that you like or dislike? I remember tips in magazines were to wrap it in shiny, bright paper so that when it's in a giant box of demo tapes at the record label it stands out from all the others. When digital download sites like Beatport started popping up, all the vinyl distributors went bankrupt.
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