Vica's eyes are permanently dilated. Harper and Vica spend their days fixing drones, eating candelit dinners, and swimming in a glass-bottomed pool. Their boss, the creepily cheerful Sally Melissa Leo , supervises them from an orbiting control center. In order to maintain the integrity of the mission, Harper and Vica's memories have been wiped; nonetheless, Harper is haunted by extremely cheesy black-and-white dreams of a beautiful woman meeting him in pre-invasion New York.
One day, Harper spots an antique spacecraft crashing into the countryside. He manages to rescue one survivor, a Russian astronaut Olga Kurylenko who looks exactly like the woman in his dreams. Harper brings her back to his tower.
This incites jealousy and suspicion from Vica, who is both Harper's partner and his lover. The astronaut has been in cryogenic sleep for the past six decades but refuses to disclose the nature of her mission to Harper and Vica until they recover her flight recorder.
It goes without saying that the flight recorder unearths all kinds of secrets about Harper, Vica, and the alien invasion. It also creates one of the movie's more glaring logical errors, but that's a different story altogether. The film's opening stretch is its one strong point — a gradual, immersive build-up of details.
It's a smart technique for science-fiction storytelling; it eases the viewer into the world of the film. The problem is that the world "Oblivion" introduces — an abandoned, depopulated Earth — is more interesting than the story it tells. Or, more accurately, the stories it tells, because "Oblivion," derivative to a fault, tries to be several science-fiction movies at once.
It tries and it fails. It's a wannabe mindbender that raises questions about its lead character's identity — except that the lead character is too sketchy to make these questions compelling. It's a story about humans struggling for survival in an environment controlled by technology — except it appears to be much more interested in the technology than in the humans.
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It features Grimes, in a black coat and her signature pink hair, with headphones on at a sporting match with a largely male crowd. The video debuted on March 2, and shows Grimes amongst shirtless frat boys, as well as in a men's locker room surrounded by weightlifting athletes. Not in a disrespectful way, though," Grimes explained. Additionally, part of the music video took place in a convenience store [3].
In an interview with SPIN , she revealed that the song is about "going into this masculine world that is associated with sexual assault, but presented as something really welcoming and nice. The song's sort of about being — I was assaulted and I had a really hard time engaging in any types of relationship with men, because I was just so terrified of men for a while" [4].
Grimes Wiki Explore.
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